ENDLESS WORLD IDLE RPG DIALOUGE HOW TO
ENDLESS WORLD IDLE RPG DIALOUGE FULL

ENDLESS WORLD IDLE RPG DIALOUGE HOW TO

asking a retired bounty hunter how to find bounties Can include gameplay tips and hints for the player.

ENDLESS WORLD IDLE RPG DIALOUGE FULL

Either a one-liner or a full conversation that gives the player practical information.This can be an effective way of personalising a player’s experience with specific reactions to their character and achievements Can be a personal reaction to the player and their current situation or reputation.Use it to add atmosphere or flavour to a scene such as a bustling tavern full of burping drunkards. Can be a small glimpse into the backstory or setting of an area.Usually short, single sentences that an NPC will utter when in close proximity to the player.They’re particularly useful for simple world building but typically no action follows from them. These first dialogue types can be thought of as idle chatter. Interactions: Know the different dialogue types To help decide just how much conversation to use in your own game, it helps to be aware of the different types of dialogue.ģ. Despite being bored to tears by their stories that I have no interest in, I begrudgingly become the virtual agony aunt of that game world. As an old school gamer, I feel compelled to speak with every single interact-able NPC, kind of like a gaming version of FOMO. The drawback however, is that they can be rather boring to drudge through if a player is only interested in important ‘quests’ and opportunities that contribute only to the main gameplay. These additional conversation types help set the mood of the world, provide information, tell mini-stories and feed hardcore players’ curiosity. For example, will interactions be limited purely to main gameplay events? Or will it be more broad, such as including lighter, more entertaining conversations that don’t necessarily lead to any kind of action or repercussion? Non-linear games will need to decide just how much dialogue will be available to the player. Are there any local mythologies and rumours? For example, a fabled monster: where does it dwell? Who does it affect? What are their beliefs and morals? What god(s) do they worship (if any)? Any sexism, racism? Who are their heroes and who are their chief enemies? Who rules the main capital? Where are the main trading flows? Who protects these trade routes? Flesh out the specific races, factions and townships.Make a timeline of of events: wars, waves of immigration, ensuing wars and assimilation, natural disasters, shifts in power balances… Depict what the present situation is: it’s politics, economy and warfare. Think about the conflicts: who is fighting with who and why are they fighting. Outline your setting: who lives there, why do they live there. Start filling the world with basic nations.Add details: what does X animal eat? Does it travel in packs? Is it hostile, tame or a pest? What is it’s given name?. Next, write up a short text that describes the world setting and its features: it’s atmosphere races, cultures, main cities fauna and flora. Draw out the layout of the world map: swamps, mountain, plains, rivers and towns. Some basic steps for fleshing out world lore: Without some kind of core backstory or setting, it’s difficult for events and people to make sense or to have consistency. Dialogue should have some kind of meaning, each conversation should act like a piece of puzzle to build your picture, to reflect the world and it’s story. It goes without saying that fleshing out the setting of your world should come first and foremost before you start work on player interactions.

Endless world idle rpg dialouge